What stands out the most in The Bear are its lead performances, and its portrayal of the family experience, writes screen critic Nick Long.

What stands out the most in The Bear are its lead performances, and its portrayal of the family experience, writes screen critic Nick Long.
The film ‘Thirteen Lives’ is a claustrophobically captured survival epic that’s impressive in scale and inspiring in scope, writes Michael Walsh.
In 2019, Toby Mac and his family suffered immense pain when his son passed away. Yet, it was in his pain, Toby experienced God’s goodness.
Hillsong’s Taya Smith-Gaukrodger is taking us on an honest and refreshing journey with her debut solo album.
DC Leage of Super-Pets delivers consistent laughs and a surprisingly heartfelt story, writes film critic, pastor and dad, Matt Townsend.
The story of ‘Some Happy Day’ follows Tina, a homeless woman in search of a better life, who meets Frances, a social worker with troubles of her own.
In the new thriller ‘Nope’, director Jordan Peele illustrates a profound theological point, writes film critic Russ Matthews.
For more than a decade, singer Tauren Wells has been refining the personal mission behind his own life and creative endeavours.
Dreams sometimes come in different golf bags: Russ Matthews reviews the new film, ‘The Phantom of the Open’ – a sport based drama with a comic twist.
This contemporary Netflix production of Jane Austen’s Persuasion will win a new audience, but may turn off purists, writes Russ Matthews.