New Star Wars based series Ahsoka is a visual feast, but the show’s writing leaves something to be desired, writes Oli Phillips.
Films about artificial intelligence usually involve great battles and computer-generated creations. Not so, in the Garth Davis film ‘Foe’.
From trauma bonds to quests for redemption and crises of faith, each character in ‘The Whale’ has a rich backstory.
A Man Called Otto is a warm crowd-pleaser that is told powerfully and will warm even the grumpiest hearts, writes Michael Walsh.
This latest animated version of the classic tale of Pinocchio may stand as one of the best ever put to screen, writes Russ Matthews.
Film critic Russ Matthews gives his short take review of the Guardians of the Galaxy Holiday Special now streaming on Disney+.
See How They Run is a good old-fashioned murder mystery / whodunnit, but with a a delightfully meta twist, writes film critic Michael Walsh.
Disney’s new ‘Pinocchoi’ goes to great lengths to to portray a magical night after the aged craftsman Gepetto (Tom Hanks) wishes upon a star.
Sly Stallone’s ‘Samaritan’ delves into a dystopian world where people need a saviour to rescue them from their crime-riddled city streets.
What stands out the most in The Bear are its lead performances, and its portrayal of the family experience, writes screen critic Nick Long.